Kunsthaus, Zurich: A (Soft Porn) Romance

27.08.2013
Ausstellungsansicht Kunsthaus Zürich, Juni 2013, © Kunsthaus Zürich, Foto: Lena Huber
Ausstellungsansicht Kunsthaus Zürich, Juni 2013, © Kunsthaus Zürich, Foto: Lena Huber

In Zurich working with a few extra hours to kill on a Sunday, what to do? Kunsthaus Museum, Zurich, why not make the best of the day with a dose of predominantly white, male European and American masters? Admittedly, the art I typically consume requires a price tag to draw me. Attending museums can be like reading history books for me; I need to be teaching a class for the impetus to do so. Or books in general for that matter, though I shouldn’t admit lest I sound too much like Posh Spice who is said to have never creased a spine.
 
On exhibit, in addition to the monumental permanent holdings were a group of abstractions soon to be donated by retired Swiss entrepreneur, Hubert Looser, comprising a slew of de Koonings, Twomblys, Kellys, Rymans and more. This is a short story of experiencing art as aphrodisiac in the context of a glorious museum.
 
The twenty-minute queue to get in was heartening as an indication of the fevered temperature of art today; that is until I was rudely informed of the twenty-five CHF required for an all access pass. Then again, how else can you attain such a kick of immediate gratification for what amounts to $27.11 (at present exchange rates)? Chocolate, music, a great movie, or a rock of crack, maybe?
 
Trying to rent a locker for my oversized umbrella (can never be too cautious) for yet another two CHF, I futilely attempted to stuff a coin in when I reached out for help and was informed it was a Euro I was force-feeding into the device rather than the required Swiss Franc. That’s me, always trying to shove a square peg into a round hole.
 
But before I knew it, I was wowed by an act of common courtesy and humanity rarely encountered. Not only did the kind gentleman beside me offer to give me the money outright for the locker, he labored over the damn thing when (no surprise here) I still couldn't get it to work. There you have it, true kindness is possible in the name of art.
 
First up, a bit of the permanent collection housed in the Giacometti Rooms, and there are many, served up with a dose of Picasso, obscure Bacon and others; you must love this country. You really must.  Upon exiting the galleries, I repeatedly murmured under my breadth, Tourette-like, thank you, thank you, thank you to the point I’m almost positive the unsuspecting security guard was about to call for back-up support. Am I the only one talking to myself more and more? Don't answer please.
 
There is an informative article available online at Bloomberg.com, by Catherine Hickey, entitled, "Swiss Magnate Looser Spends Fortune on Art, Gives It Away", that sheds light on his motivations in accumulating the cache over the years. Apparently Looser informed his children that the collection was cultural goods to be forfeited to a public institution rather then in the form of inheritable wealth; if I told my kids that, I’d end up in the basement chained to the radiator for a few years.
 
His collecting career came to a halt because he grew tired of “haggling with dealers”, which can also amount to an enjoyable contact sport – I think he was weary of the game, which is exhausting, confounding and strenuous. I actually slipped a disc lifting an Ai Weiwei ceramic stool once. After he attained a certain plateau of success, Looser strove to transform his money into art, which he just as easily could have accomplished by giving a chunk of it to me; I consider myself pretty handy at dispensing cash.

( ... weiterlesen

Chow Down

26.08.2013

Nothing like a vegetarian biting into a salad unsuspecting and encountering a mouthful of camouflaged egg and bacon bits; the sensation is equal measure disgust and delight. So what is one to do, seated across from an important collector, who happened to be juggling his dentures on the tip of his tongue like a circus act throughout the meal, to the extent it looked like his teeth were coming out of the side of his head at one point? Chow down, of course, bon appetite.

Did Kafka have an ATM card?

03.08.2013
Did Kafka have an ATM card? (photo: dpa)
Did Kafka have an ATM card? (photo: dpa)

As I am traveling and my IP address changed, I don’t know what that means but it sounds plausible, I was required to get a temporary Identification Code to access the checking account I have had with Chase for nearly 30 years. One of the security questions was which address in Roslyn have you been associated with. Now, I have nothing personally against Roslyn, although as an opposing shore on Long Island where I am from, it must have been at least equally as awful; but I never lived there.

After a good 45 minutes on the phone I was informed the question was gleaned from public records, which jogged my memory to the day when I used to get asked for quotes about Giuliani all the time because I shared a name with the District Attorney for the Southern District of Manhattan who was going after him. Well, now the good DA can access my accounts but I’ve been indefinitely blocked from doing so. With no recourse to amend the security questions for the future. Did Kafka have an ATM card?

It’s called a Mini but the experience is maximum: The Mini Moke

01.08.2013
Mini Moke
Mini Moke

True (baby) blue, British engineering at its best after all these years. A hoot to drive and a handy rental. It’s called a Mini but the experience is maximum. And it may not be a free lunch but it’s fast-food-cheap.

1960's Mini Moke: The Mini Moke is a vehicle based on the Mini designed for the British Motor Corporation (BMC) by Sir Alec Issigonis. The name comes from "Mini"—the car with which the Moke shares many parts—and "Moke", which is an archaic dialect term for donkey. The Moke has been marketed under various names including Austin Mini Moke, Morris Mini Moke and Leyland Moke.  ... weiterlesen

Art Star Stars

01.08.2013

Oh ah. Conflating high and low culture, must be a radical new contribution from the burgeoning field of star art stars (or art star stars?). Reassuring to know the playing field of practicing artists has now been amply expanded by integrating the music, film and fashion industries. Call it Gagart (as in wretch), and call Marina Abramovic. Wait, she’s booked her collaboration already, what a shock. Jerry, call your agent!

“Whether or not Gaga is a bona fide artist or a supreme marketer, the bottom line is that her formula is working. Her star is a sparkling vehicle of self-promotion, in terms of products and ideals. What that means for any or all of creative industry – music, fashion, art – only time will tell. But in Gaga’s world, there’s dazzle in the disconnect between the rarefied and the popular. “

http://www.blouinartinfo.com/news/story/934212/dazzle-in-the-disconnect-lady-gagas-icon-status-and-artpop?back_to_article=node%2F933225

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"Die Kunstwelt ist wie eine Mafia, es gibt ein ungeschriebenes Gesetz des Stillschweigens", sagt Kenny Schachter. Auf seinem Monopol-Blog bringt der britische Kunsthändler Licht ins Dunkle und macht die Mechanismen des Marktes transparent. In englischer Sprache
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